The first single ‘Nee Kannu Neeli Samudram’ from Uppena undoubtedly enthralled the musicophiles across the Telugu states.
Uppena makers released another song in a lyrical format on Aditya music today. Music director Devi Sri Prasad seemingly appears to break the stereotypical image that he received with mass and dance numbers. Here’s the review of the song ‘Jala Jala Jalapatham’.
Song: Jala Jala Jalapatham
Music director: Devi Sri Prasad
Singers: Jaspreet Jazz, Shreya Ghoshal
Lyricist: Sreemani
Launching #JalaJalaJalapaatham for your hearing pleasure 🙂 https://t.co/sucxR27q7F
Giving my best and wishing all things happy and successful to the 3 debutants Vaishnav, @IamKrithiShetty and @BuchiBabuSana creating some magic 🤗
A @ThisIsDSP musical 🤍 #Uppena
— Vijay Deverakonda (@TheDeverakonda) January 31, 2021
‘Jala Jala Patham’ is an appropriate song that imprints ‘Uppena’ in the minds of people clearly as a musical love story laced with good romance and emotions.
The mellow melody scored by DSP and soulful lyrics penned by Sreemani gelled well. “Jala Jala Jalaptham nuvvu sela sela sela yeruni nenu” words expresses the male partner’s inseparable love to his lady love in comparison to the waterfalls and the stream of water. It apparently sounded catchy yet have a good meaning, which keeps the listeners hooked to it.
The prelude of Jala Jala jalapatham begins with harp followed by the old jazz chord style and ends with the harp signature tune. The video featuring Vaishnav Tej and Krithi Shetty has a magnificent sea with a full moon in the backdrop that gives you a breezy peaceful feel. The melody undisputedly sounds afresh in the current times and surely would lull your boisterous mind.
Jala Jala Jalapatham is crooned by Jaspreet jazz in totally an experimental style this time in a cool voice as opposed to his energetic high pitched voice lent for peppy numbers. Wherein female parts sung by Shreya Goshal in her buttery ethereal voice is perfect as always.
The music that has a right mix of keys played by KP, rhythms by Kalyan, solo violin by Balaji, string section performed by CMU orchestra and flute by Kiran Kumar, all blended well as a perfectly orchestrated symphony with subtle nuances of highs and lows right from the prelude to the interludes to the outro.